Love & Fallout by Kathryn Simmonds
Tessa is one of those middle-aged women that do causes. She co-runs a (failing) green charity running workshops for schools and colleges and she’s always got a local campaign on the go – this time saving the playing field from development. She doesn’t take much time for herself (or her family arguably) and lives in jeans and baggy jumpers. Her long-suffering best friend Maggie and husband Pete have had enough of this and as the novel starts they have organised a surprise TV makeover for her. The doorbell chimes:
Smiling at me is a thin woman in her early forties who has the gloss and wing-mirror cheekbones of a former fashion model. Behind her is a camera crew. A camera crew. And there, waving, is Maggie. For a few stupified seconds I can’t work it out: in some bizarre co-incidence she’s stopped by at exactly the same moment as a TV crew.
‘Are you Tessa Perry?’ asks the thin woman.
Partly shielded by the door and ready to close it at any moment, I confirm my identity.
‘Excellent,’ she says, ‘because we’re here to…’ Then she raises her arms along with her voice and everyone cries in unison, ‘Make you Over!’
The penny teeters, bright and coppery at the edge of my comprehension then drops into a slot and rolls away. Maggie has brought these people here. Before I know what’s happening, they’re piling inside.
Tessa is horrified, but when Pete says they’ll mention the Heston Fields campaign she reluctantly submits to get the publicity for it. When, after they’ve finished filming she’s left fully dressed and made up, Pete wants to go out. Tessa says ‘Right, give me ten minutes, I’ll just get changed.’ Exactly the wrong thing to say to Pete who had wanted to show her off.
Cut back to 1982, and Tessa having finished school is working in a dead-end job in Stevenage and has recently split up with her boyfriend. She decides to go and visit the anti-cruise protestors at Greenham Common, and maybe stay at the camp for a while. Surprisingly, her mum and dad are broadly supportive, realising that it’ll give her the break from Stevenage that she needs, and after all, she’ll not stay for long …
Tessa finally gets to Greenham, and finds a diverse band of women, young and old, mothers, grandmothers, Europeans, all are here. Bumping into a young woman called Rori, she finds a group to camp with at the Amber gate. She soon realises that life is not a bed of roses – it’s cold and muddy, water has to be carted from the standpipe, latrine trenches dug and so on. There is little direct action other than being there to witness what the military are doing. As in any group there are tensions – Angela who is one of the key organisers doesn’t think Tessa belongs there – indeed, Tessa doesn’t really know herself at first, but she gamely mucks in and makes herself useful. The strong bond that Tessa forges with Rori will become tested to its absolute limit over the months to come – there will be betrayals…
Interspersed with the Greenham sections are those charting the increasing disintegration of Tessa’s home life after the programme. If she doesn’t get funding, her charity will fold; she and Pete are going to relationship counselling – but it’s not going well; her children are alienated, especially her daughter Pippa. It takes a visit from Angela, who had seen her on the television, to bring her life back into perspective, finally bringing closure to her Greenham days.
I actually worked in Stevenage for a whole seventeen years and lived there for fifteen, first arriving in 1983 just after Tessa goes to Greenham. I lived in a couple of different estates, before ending up in a nicer newbuild development, but, having moved down there after living in Cambridge (where Tessa later lives!), I can understand why she’d want to move away from the indentikit houses, and the town centre certainly wasn’t up to much back then.
Simmonds builds a strong picture of what it was like to be at Greenham, and includes the real life events such as ‘Embrace the Base’ when 30,000 women linked arms around the perimeter, and when Tessa gets imprisoned after climbing the walls and dancing on the silos. We’re shown what a hard life it was and how everyone had to muck in, but also how much cheer the women were able to generate from their sisterhood. Although Tessa doesn’t get on with Angela in the camp having allied herself firmly with Rori – she herself becomes an Angela type later organising her causes, especially once her children don’t need her parenting so much.
Tessa is fallible though, taking Pete and her family’s silent acquiescence as permission to take them for granted. Thank goodness for the jolt caused by the TV show and the memories it brings back to the surface. Ignoring relationship ruts is not a good thing, and we hope that Tessa and Pete can find some kind of path forward; Tessa needs more of a makeover than just a new outfit. I found this aspect of the novel a little uncomfortable to read. Whatever her faults though, because Tessa is inherently a good person with good intentions we are on her side throughout the story.
There is much to admire in this debut novel from one of my favourite indie publishers, Seren Books. Tessa’s story is told with humour as well as truth and sadness. Who knows, if I had met Tessa in a Stevenage pub, I might have been inspired to join her in her quest and that is the mark of an engaging novel. (8.5/10)
* * * * *
Source: Publisher – thank you. To explore further on Amazon UK, please click below:
Love and Falloutby Kathryn Simmonds. Seren Books, June 2014, paperback original, 352 pages.
P.S. Quote at the top from ‘I’ve never been to me’ – by Ron Miller and Kenneth Hirsch, sung by Charlene – it reached No 1 in the UK in June 1982.