‘Get Lost – Get Found’

Paper Towns by John Green

PAPER-TOWNS-POSTER-570I still haven’t read John Green’s best-selling The Fault in Our Stars – but I did see the film. I enjoyed it and predictably, I cried. My daughter lapped up book and film, and is forever quoting ‘it’s a metaphor’ at me; she surely wants to go to Amsterdam and sit on that bench. (We will do that someday, OK?) Anyway, Green’s previous novels are now getting the big screen treatment, with films of his 2008 novel Paper Towns coming out this summer and Looking for Alaska in 2016. I decided to get ahead of the game this year, and appropriated Paper Towns from my daughter’s TBR pile…

paper townsPaper Towns is set in a suburb of Orlando, Florida – it’s not just a holiday destination, people do live there and the action takes place during the last couple of weeks of High School following a group of friends who will be graduating and going off to college in the autumn.  It begins:

The way I figure it, everyone gets a miracle. Like, I will probably never be struck by lightning, or win a Nobel Prize, or become the dictator of a small nation in the Pacific Islands, or contract terminal ear cancer, or spontaneously combust. But if you consider all the unlikely things together, a least one of them will probably happen to each of us. I could have seen it rain frogs. I could have stepped foot on Mars. I could have been eaten by a whale. I could have married the queen of England or survived months at sea. But my miracly was different. My miracle was this: out of all the houses in all the subdivisions of Florida, I ended up living next door to Margo Roth Spiegelman.

Our narrator is Quentin, he has known Margo since they were kids. Despite moving in different circles, they have a shared experience that will link them forever – as children they found a dead body in a park together!

Q, as he is mostly known, tells us this in the prologue. Q is best friends with the oversexed Ben and geeky Radar. The prom looms and the key thing in most of the students’ minds is getting a date. Relationships between the graduating students are being redrawn daily it seems. Q doesn’t have a girlfriend, and seems resigned to not going.

Then one night, at midnight, Margo appears at his window and tells Q that he needs to get the keys to his mum’s car and that they are going out. He can’t refuse… they sneak out and Q is driving following Margo’s directions:

“I love driving under streetlights.”
“Light,” I said, “the visible reminder of Invisible Light.”
“That’s beautiful,” she said.
“T.S.Eliot,” I said. “You read it, too. In English last year.” I hadn’t actually ever read the whole poem that line was from, but a couple of the parts I did read got stuck in my head.
“Oh, it’s a quote,” she said, a little disappointed. …

I’m glad Green signposts the quotes, for I wouldn’t have recognised it (further research leads me to a chorus in The Rock – a pageant play with words by T.S.Eliot, published 1934).

Anyway, Margo and Q spend the night playing pranks on all those who have slighted Margo, putting fish in places where they’ll stink, shaving off a bully’s eyebrow as he snores – that kind of thing. It’s slightly dangerous and a real thrill for Q and even when they get caught later, trying to sneak into Seaworld, Margo can talk her way out. Q is besotted with Margo, and hopes that it will lead to something.

The next day Margo doesn’t turn up at school. She’s run away – something she’s done many times before. She always leaves a convoluted trail of cryptic clues, but as she has just turned 18, her parents are at the end of their tether, her little sister needs them. So it’s up to Q, with his friends to decipher her plans and find Margo before graduation – they only have a few days. Quentin begins the tortuous procedure of deciphering the clues. He has an increasing worry that she’s done something more ‘final’? Will they find her in time?

I must admit that I’m rather glad that the American High School culture of ‘Prom’ wasn’t around when I was at school, the pressure they all put themselves under – to get a date, to lose their virginity, to conform – I always end up thinking of Carrie!  There will always be those who get left out, and also those who choose not to participate – like Q and Margo respectively. Quentin is a lovely young lad, and I felt confident that he would blossom at college later. Margo though, the girl of mystery, wild-child, with an independent streak a mile-wide, really just wants to be loved. Why else would she always leave clues?

It’s on their night out before she runs away that Margo talks about ‘paper towns’ first – likening Orlando’s bland expanse of white roofs viewed from a high-rise to a sheet of paper you could fold up into a plane and throw away.  That’s a nice metaphor, but the reality of the ‘paper towns’ is fascinating. The term refers to copyright traps – ficticious towns placed on maps, so publishers know if their map has been plagiarised. This concept will be very important in finding Margo.

I am so behind on John Green, the phenomenon, that I didn’t know about his Youtube channel – the vlogbrothers in which he and his brother Hank talk about all sorts of things – and style themselves as ‘nerdfighters’. I’ve watched a few of the videos and it’s lovely to see these men in their 30s championing nerds and nerdish pursuits, talking at nineteen to the dozen like overgrown teenagers, offering good advice and having fun. I’ve subscribed!

One thing is clear – John Green reads a lot – and he has a mission to sneak as many literature references as he can into his books. Apart from the Eliot quote above, we get Moby Dick and Emily Dickinson in Paper Towns, and I’m sure I’ve missed many others. The Fault in Our Stars, of course, is itself a mashed up quote from Shakespeare’s Julius Caesar – ‘The fault, dear Brutus, is not in our stars, but in ourselves.’  This referencing to literature in American High School novels is not just limited to Green though – Meg Wolitzer’s recent novel Belzhar (my review here) is entirely based on The Bell Jar by Plath and there are others which I can’t recall at the moment. I don’t recall British YA novels mentioning A-level set texts in the same way though!

I can see why John Green has become so popular though. His text is literally full of great one-liners – both comic and serious, that are just crying out to be put on a T-shirt, or made into a poster. If you google John Green quotes and look at the images, you’ll see thousands and thousands of fans’ artworks featuring his words. One thing I did pick up on from Paper Towns though, is that he is a big fan of using the word ‘metaphor’ – but if I hadn’t know about the ‘It’s a metaphor’ quote from The Fault in Our Stars, it may not have stuck out quite so much…  This was a really enjoyable novel, and I really want to explore his others now.  (8/10)

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Source: Own Copy. To explore further on Amazon (affiliate link) please click below:
Paper Towns by John Green, Bloomsbury childrens books paperback, 320 pages.

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Sweet sixteen?

The Fever by Megan Abbott

FeverWhen I read Megan Abbott’s previous novel Dare me (reviewed here) last year, I knew she was an author to watch, moving into psychological thriller territory with her tale of High School cheer-leaders, having previously concentrated on 1950s noir.  She seemed to get into the brain of these sporty girls perfectly and the novel although lacking a bit of pace in the thriller department was full of fascinating insights into the cheer-leading world that we don’t really have in the UK.

The Fever is again set in a High School, but couldn’t be more different in terms of drama. The story is told from the viewpoints of the Nash family. Father Tom is a popular teacher at the High School. Divorced, he’s bringing up two teenagers: the older one is Eli – an ice-hockey star and object of many girls’ affections; Deenie is sixteen, sweet and good at school.

At sixteen, all a lot of the girls want to do is talk about boys and brag about how far they’ve gone and with whom. It’s hard to keep a secret of this sort in school, but Deenie has one she’s desperate to tell her best friend Lise about. Before she can do that though, Lise has a kind of seizure in class in front of everyone. They’re all shocked and when Lise has another seizure at home hitting her head badly she ends up in hospital. Over the next days several more girls will go ill too with a variety of symptoms including Gabby, Deenie’s other best friend.

It’s not long before worried parents are blaming it on the vaccine – the girls all had their HPV shots shortly before it happened. This rang alarm bells with me (I’m strongly pro-vaccination!). The medics aren’t finding anything though. The girls have another secret apart from their initial forays into sex – four of them, Deenie, Gabby, Lise and Skye went swimming in the lake – the fenced-off lake that’s full of toxic algae. What if something else is causing the illness amongst the girls?  Is the school hiding something?  Gossip, panic and rumour-spreading quickly escalate the situation in this small town, especially when some of the affected girls post videos on social media.

The relationships between the girls are also complicated. Deenie in particular is perplexed by Gabby’s deepening friendship with Skye, who’d previously been a hanger-on to their threesome, she can’t help seeing Skye as taking her friend away from her.

Once again, Abbott proves she can get into teenagers’ brains to chart all their insecurities as they are on the cusp of becoming young women. This time though more than that, she also captures Eli’s confusion as he begins to understand the power that he has as an objection of attraction  and in Tom we see a father watching his children growing up and away from him, proud of them yet sad at the same time.

The drama and tension build up nicely all the way through The Fever and there are plenty of red herrings along the way to distract us from the real cause of what has happened. I read the book is one long sitting which is the perfect way to devour a psychological drama. I will enjoy seeing where Abbott goes next as she ventures towards Gone Girl territory. (9/10)

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Source: Own copy. To explore further on Amazon, please click below:
The Feverby Megan Abbott. Pub Picador, July 2014, hardback, 256 pages.

 

School’s out, summer’s in, time for Panic…

Panic by Lauren Oliver

Panic_HC_JKT_des4.inddScene – a small town in middle America, school’s out for summer. For those who’ve graduated high school, finding a full-time job will be a priority unless you’re one of the lucky few who are off to college. The town of Carp is small and poor – no-one has any money.  But there is one way out… to win ‘Panic’ – the annual top secret knock-out challenge for high school grads, with a pot this year of $67k for the last one standing at the end of the summer.

Lauren Oliver’s new thriller for older teens and up explores the lives of this year’s players – they all have their reasons for wanting the money.  The first challenge is to announce you’re in by jumping from the rocks into the lake at the quarry. Heather only decides at the last minute after she sees her supposed boyfriend snogging another girl.

 “Announce yourself!” Diggin boomed out.
Below Heather, the water, black as oil, was still churning with bodies. She wanted to shout down – move, move, I’m going to hit you – but she couldn’t speak. She could hardly breathe. Her lungs felt like they were being pressed between two stones.
And suddenly she couldn’t think of anything but Chris Heinz, who five years ago drank a fifth of vodka before doing the jump, and lost his footing. The sound his head made as it cracked against the rock was delicate, almost like an egg breaking She remembered the way everyone ran through the woods; the image of his body, broken and limp, lying half-submerged in the water.
“Say your name!” Diggin prompted again, and the crowd picked up the chant: Name, name, name.
She opened her mouth. “Heather,” she croaked out. “Heather Nill.” Her voice broke, got whipped back by the wind.
The chant was still going: Name, name, name, name. Then: Jump, jump, jump, jump.
Her insides were white; filled with snow. Her mouth tasted a little like puke. She took a deep breath. She closed her eyes.
She jumped.

This is the start of a summer that will test Heather, her best friends Nat and Bishop, and outsider Dodge to the limit.  The challenges in Panic are top secret, and announced by coded signs and text messages.  Heather and Nat initially decide to make a pact to share the winnings – half of $67k would be life-changing for either of them – but the pact will put more pressure on the pair rather than lessen it.  Bishop, the girls’ best friend is very quiet about the whole thing, he’s not taking part, just supporting.  Dodge is the surprise element. He’s out for revenge against Ray Hanrahan, whose older brother Luke caused his older sister to be badly injured and crippled in her year.  His best way forward is to side with Heather and Nat for now until the numbers reduce, but he expects Hanrahan to play dirty…

The challenges are all really dangerous – from walking a high-up plank between two water towers, to stealing something from a trigger-happy red-neck’s house amongst them.  The players tend to pull out rather than get taken out, but nasty things do happen.  When it gets down to the last few – anyone who’s seen the films American Graffiti or Rebel Without a Cause can guess what form the final challenge will take – however, who will be doing it?  The police of course, are always one step behind. They know it takes place every year, but the code of secrecy between the players and their friends is solid, the police will only be able to react when something happens.

Despite the severity of the series of challenges they have to go through, there was never quite enough danger for me – but then I am probably more used to the even more full-on goriness of adult thrillers – you have to remember the primary audience for this one. The stakes were high but The Hunger Games it ain’t, thankfully you don’t have to die. Most of the players retire through sheer terror one way or another but this for me downplayed the gladiatorial nature of the game.

The story alternates between Heather and Dodge who have contrasting motivations for playing.  Heather just wants to for her and little sister Lily to be able to escape the trailer park and her slutty mother.  Oliver does succeed in making you care for Heather, but she lacks back-story and is not a complex character, whereas Dodge is more interesting psychologically, although less likeable for it. The tension between Heather and Bishop, the best friends who are obviously made for each other, could have been built up more too. There’s no doubting Heather’s courage and determination once set on her path.

This novel doesn’t dwell on the past – we get few snippets about previous years’ games which again, could have added some more depth and more tension as you imagine what the next challenges could be this year.  It was certainly page-turning in fits and starts, and had its little twists and turns, yet was pretty transparent and predictable. It felt real enough though, bored penniless teenagers looking for thrills – don’t get any ideas! …

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Source: Amazon Vine review copy. To explore further on Amazon UK, please click below:
Panicby Lauren Oliver. Pub March 2014 by Hodder & Stoughton, hardback 408 pages.

 

A sad beginning and a happy ending cut oh so short by tragedy …

It’s Kind of a Funny Story by Ned Vizzini

While I was doing some research into age appropriate novels for younger teens for a post on the topic back in November, I kept coming across books for older teens that I wanted to read myself. This was one of them, so I ordered a copy, and added it to my YA shelf.

its-kind-of-a-funny-storyIt’s a kind of funny story is a novel about a teenager suffering from depression. It is clearly autobiographical and Vizzini has said it’s about 85% true. As a fan of The Perks of Being a Wallflower by Stephen Chbosky, it sounded as if I’d enjoy this book too.

I wasn’t planning to read it so soon, but a news item from the Huffington Post here made me go straight to it…

The author, Ned Vizzini, then 32 years old, committed suicide on December 19th by jumping from the roof of the building where his parents lived, leaving his wife and son.

Shock over his tragic death drew me to read the novel as soon as I could.  Although my reading was coloured by reality, it is a fine novel, and really helped to understand some of the pressures on teenagers today. It begins …

It’s so hard to talk when you want to kill yourself. That’s above and beyond everything else, and it’s not a mental complaint – it’s a physical thing, like it’s physically hard to open your mouth and make the words come out. They don’t come out smooth and in conjunction with your brain the way normal people’s words do; they come ou tin chunks as if from a crushed-ice dispenser; you stumble on them as they gather behind your lower lip. So you just keep quiet.

Craig Gilner is fifteen. He’s spent much of last year cramming to ace his application to Executive Pre-Professional High School in Manhattan. He gets his place and starts school alongside his friend Aaron only to discover that he’s not a natural genius like most of the other students there including Aaron. He’s instantly behind, and anxiety sets in. Discovering pot leads to less desire to get started on catching up, and he’s also jealous of Aaron’s girlfriend Nia, always being the gooseberry.

It all builds up and soon he can’t eat without throwing up afterwards, everything is entwining him in ‘Tentacles’. He needs to find some ‘Anchors’.  He is blessed with a lovely and supportive family who try everything to help – he ends up on medication and with twice-weekly visits to a shrink, Dr Minerva, who helps to anchor him.

However Craig’s medication runs out, and he stops taking it. Soon the depression leads to suicidal thoughts of jumping off the Brooklyn Bridge.  One night it just becomes too much and he phones a suicide helpline, who tell him to get to the hospital down the road. He admits himself to the short stay psychiatric unit, and finds he’s not alone, and thus begins the road to recovery.

It all felt horribly real. Craig is unflinching in telling us all about his problems, from the conversations, all the tentacles, waiting for ‘the Shift’ to happen – that live or die moment. It sounds grim – it is grim, but it is also grimly funny in parts.

What was hard to bear was the amount of pressure that Craig was putting on himself – it’s not like it was coming from his family, who still saw a Maths score of 93% as brilliant. That’s not the case though when everyone else gets 100 at this school, (which was based on the Styvesant School in NYC where the author went).

The second half of the book, set in the psychiatric unit, contrasts enormously and young Craig, put in the adult ward as there is no room in the teen one, quickly becomes a good luck charm to the other residents which, of course, is confidence building.  The other residents are, as you might expect, a collection of seriously ill misfits, suffering from psychotic episodes to bipolar, from phobias to self-harming, and not forgetting Craig’s suicidal deep depression.

Ned Vizzini in 2012, (Photo by Sabra Embury, his wife)

Ned Vizzini in 2012, (Photo by Sabra Embury, his wife)

I think it is important for any older teens reading this book to realise that there is a way back from depression and other mental health issues but it is a long road – often two steps forward and one (or more) back, and although an important part, it can’t be controlled by medication alone.

I did well up with tears several times whilst reading this brilliant novel, and when I reached the end and saw the little afterword that tells you that the author spent five days in a Brooklyn psych unit like Craig, you just knew he was telling it from the heart, and his legacy will live on in this book.

My thoughts and prayers go out to his family and friends at this most difficult time. 

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For anyone who wants to read more about depression, amongst books Ned Vizzini recommended on his website is The Noonday Demon by Andrew Solomon (see link below).

Source: Own copy. To explore further on Amazon UK, please click below:
It’s Kind of a Funny Story by Ned Vizzini, 2007, Miramax/Hyperion paperback, 444 pages.
The Perks of Being a Wallflower by Stephen Chbosky
The Noonday Demon: An Anatomy of Depression by Andrew Solomon

Be of good cheer! (No, not that type of cheer)…

Dare Me by Megan Abbott

DARE-ME-PBBAn image of pony-tailed cheerleaders is arguably the ultimate cliché when we think of the most popular girls at High School in the USA.  Most teen films portray them as bitchy, and not big on brains. They are there to look like clean-living girls next door, to strike poses, but act like teen temptresses and get first pick of the jocks on the soccer team.

The Cheerleading squad in Megan Abbott’s novel Dare Me are not like that at all. They are fit and lean athletes who train hard every day. They live for cheer, boys are mostly an encumbrance.

Ages fourteen to eighteen, a girl needs something to kill all that time, that endless itchy waiting, every hour, every day for something – anything – to begin.
“There’s something dangerous about the boredom of teenage girls.”
Coach said that once, one fall afternoon long ago, sharp leaves whorling at our feet.
But she said it not like someone’s mom or a teacher or the principal or worst of all like a guidance counselor. She said it like she knew, and understood.

Beth Cassidy is the captain of the squad and her best friend Addy Hanlon is her lieutenant. Everyone wants to be like them, they are admired and feared in equal measure. When a new coach arrives – everything changes.

Coach French wants to take the team to the next level, to raise their game so they can compete in cheerleading competitions.  At first she appears to be the Mary Poppins of coaches ‘practically perfect in every way‘. She’s inspirational, she changes the way the squad works – without a captain. She invites the girls to her house to hang out – they all love her (except Beth).  Coach French really seems to take to Addy, effectively estranging her from Beth – and this, of course, will have consequences, for Beth wants the old order back.

Then someone dies. There is a connection to the coach, and thus the squad, the police begin an investigation. This happens as the girls are making the final push, training for the season’s finale and a performance in front of a talent spotter. The stakes grow ever higher and loyalties are tested to the limits…

The most striking aspect of this novel, apart from the psychothrilling triangle of Addy, Beth and Coach at its heart, is the sheer physicality of it. These girls are serious about cheer. They’re not conventional friends outside of the squad, they’re work colleagues – or soldiers even, assembled into a formidable team whose goal is to support and catch the ‘flyer’ at the top of the pyramid at the climax of their routine. This is something that most people don’t see. As Addy says:

That’s what people never understand: They see us hard little pretty things, brightly lacquered and sequin-studded, and they laugh, they mock, they arouse themselves. They miss everything.
You see, these glitters and sparkle dusts and magicks? It’s warpaint, it’s hair tooth, it’s blood sacrifice.

But it’s more than just training, the higher up the pyramid you are, the lighter you have to be. There are many scenes involving girls throwing up what they’ve just eaten, surviving on just protein shakes and grass juice shots, varying shades of bulimia and anorexia. One scene that stayed with me is not so horrific (perhaps), but very visual:

We get a fat-slicked chocolate-chip muffin, which we heat up in the rotating toaster machine. Standing next to it, the hear radiating off its coils, I imagine myself suffering eternal damnation for sins not yet clear.
But then the muffin pops out, tumbling into my hands. Together, we eat it in long, sticky bites that we do not swallow. No one else is there, so we can do it, and Beth fills tall cups with warm water to make it easier then spit it out after, into our napkins.
When we finish, I feel much better.

NOOOOOO!

Coming back to that central triangle briefly… The novel is narrated by Addy – the sensible one, and it is Addy that is stuck in the middle of a tug-of-war between Beth and Coach. Beth and Coach compete for Addy’s attention, each confiding in her, yet never telling her the whole story to keep her wanting more. It’s psychological warfare – very creepy.

Dare Me is Abbott’s sixth novel. Her first four are all slices of classically styled 1950s noir with strong female leads – I would love to read these, and have heard good things about them. With her fifth novel The End of Everything, she moved into new territory – that of teenage sexual awakening – apparently Jeffrey Eugenides’ The Virgin Suicides is a big influence (I really must read that too, the film was fab). I gather that Dare Me is going to be filmed, Natalie Portman has been linked for Coach.

The author has obviously done a lot of research into cheerleading, (you can read about that here). Although it was fascinating (in a horrible way) to read about how a normal cheerleading team become a great one, there was a bit much of the cheer which didn’t allow the psychodrama enough space to breathe. This also meant that the only two male characters of any note in the book were too mysterious, even by the end – and they are crucial to the plot. Abbott is clearly an author to watch, and although this book wasn’t quite a hit for me, it was well worth reading. (7.5/10)

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Source: Review copy from Amazon Vine. To explore further on Amazon UK, please click below:
Dare Meby Megan Abbott, pub Picador (2012), paperback, 320 pages.
The Virgin Suicides by Jeffrey Eugenides

YA books and sex!

I wasn’t going to write a post featuring the book below as it was a DNF (Did not finish) for me, but it did raise questions and I wanted to ask your opinions, especially after I heard someone calling for debate on lowering the age of consent to 15 on the radio this morning …

My daughter, now 13, is getting into reading teen romances and has been a fan of Meg Cabot’s Princess Diaries series, and Louise Rennison’s Georgia Nicholson diaries for a year or two now. I’m always on the lookout for new authors to introduce to her and came across the following book on a review list – the text description said 12+ …

When it happens by Susane Colasanti

when it happensThis is a book about a girl who is looking to find love – and has a clear idea of who will fit the bill, but ends up falling for the complete opposite. Set in NYC, senior year of high school, with the Battle of the Bands as a backdrop.

When it arrived there was a sticker on the front cover saying ‘Contains explicit content’. I visited the UK publisher’s website and there it says 14+, so I started to read the book to see what that was. I made it about a third of the way through, and skimmed the rest.

I found there was a lot of sex talk and it seemed that most of the characters were only after one thing which was more to do ‘it’ – sex, rather than find ‘it’ – love, although being a teen romance, that true love is found too in the end. OK – they are all in their senior year at High School, so the place is likely to be seething with sex, but there are references to girls doing it since they were 14 etc. Within the first few chapters, Sara, the virginal lead character was getting instruction on how to put a condom on – educational, yes, but any romance was spoiled.

Definitely one for older teens I thought.

Contrast that with …

Billy and Me by Giovanna Fletcher

billy and me

The debut chicklit novel by the wife of McFly’s Tom. It’s about a young woman coming to terms with being the girlfriend of a teen heartthrob actor and the scrutiny that she as the WAG is exposed to. It’s pure fluff – chaste and charming, yet it is specifically marketed as chicklit.

I got sent a copy by Penguin (thank you), and after my 16yr old niece recommended it, I was more than happy to let Juliet read it, and she enjoyed it too.

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I love reading YA fiction for myself now, but I usually stick to books with a fantastical element of some kind.  As a teenager, I went straight from children’s books to adult titles – there were few written for teens in the 1970s, but I got largely sucked into science fiction then.  The only romances I read as a teenager were the Regency ones of Georgette Heyer – so this is a new area for me, and I have to admit…

I’M CONFUSED!

Naturally, I want to encourage my daughter to explore and find books she wants to read for herself, (with just the occasional nudge from me). I don’t want to censor her reading – I think she has good taste in that regard, but I want to canvass your opinions too.

How is it that a teen book can be more explicit than chicklit?
Can you recommend any good teen authors who deal with sex in a less in your face way?
Or, am I too prudish and worrying too much?
Do share your thoughts!  Thank you.

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To find out more on Amazon UK, please click below:
When It Happens by Susane Colasanti, Scholastic paperback.
Billy and Me by Giovanna Fletcher, Penguin paperback

Gone Girl meets The Secret History – not quite, but a good try

Reconstructing Amelia by Kimberly McCreight

Amelia

When a novel sets itself up on the front cover to be compared to Gone Girl (my review here), and in other places I’ve seen it compared to Donna Tartt’s The Secret History, it raises the bar rather high…

Kate is a hard-working lawyer and single mum to teenage daughter Amelia, who appears to have been doing alright at her posh Brooklyn high school, despite her workaholic mum’s absences, and not knowing who her father is. When she is at home, Kate tries really hard and she and Amelia have a good relationship but, as she will find out, she has no idea at all of what’s going on in her daughter’s life, until one tragic day.

On that day, Kate is about to start one of the biggest presentations of her career, when she gets a call from her daughter’s school.  Amelia, the hard-studying, academic, over-achieving student has been suspended for plagiarising an essay about Virginia Woolf, and Kate is required to collect her pronto.  By the time Kate arrives, having got delayed in the subway, Amelia is dead.  They say she jumped off the school roof.

It’s not until a couple of months later that Kate is together enough to question things, and when she receives an anonymous text that matches her own instincts – Amelia didn’t jump, she persuades the police to reopen the investigation. Gradually Kate, and Detective Lew Thompson will piece together what happened, as layer upon layer of secrets and lies are exposed. No-one, it seems, is squeaky clean – teachers, parents, pupils, friends, or colleagues, and the school is awash with teenagers exploring their sexuality, secret clubs and bullying.

The story mainly alternates between Kate and Amelia’s voices through flashbacks. Kate’s chapters are mostly in the present as she investigates her daughter’s life. Her past sections are from 1997, when she as a promising young lawyer got pregnant. Amelia’s chapters are all from the months preceding her death, and they include her text messages and Facebook statuses. The only times we don’t hear from Kate or Amelia are blog posts from the school’s anonymously authored scandal sheet.

I predicted the key ending early on, but other developments were less telegraphed, and there were some genuine surprises.  Although Kate was being put through the wringer with everything that happened, and for a mother losing a child is such a tragedy, I found Kate’s need for validation that she wasn’t really a bad mother a little tiring.  I was more interested in Amelia’s story and finding out the identities of secret texters and bloggers.

Despite the book being based around a high school, there is too much sex and swearing to recommend this as a YA novel, but it should appeal to slightly older New Adult readers.  I enjoyed it too, but it’s not in the same league as those other two page-turners I mentioned back at the top. (7/10)

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Source: Review copy from publisher – Thank you. To explore further on Amazon UK, please click below:
Reconstructing Amelia by Kimberley McCreight, Simon & Schuster paperback 2013, 380 pages.
The Secret History by Donna Tartt
Gone Girl by Gillian Flynn